PYRAMIDS FRANK OCEAN ALBUM COVER FREE

The collaboration was unexpected from Ocean, a typical soloist, featuring two linchpins of pop radioвЂ™s split loyalty to euphoric dance music and bass-heavy Southern rap. Which is crazy.вЂќДЄ few nights after karaoke, Ocean released вЂњ Slide,вЂќ with Calvin Harris and Migos. If you think, a person like Bob Marley, right now, probably wouldnвЂ™t play on a pop station. So these places are notВ even based on music. вЂњAnd thenВ theyвЂ™re taking those numbers and theyвЂ™re going to advertising agencies, and people areВ paying numbers based on the audience that they have. So theyвЂ™re playing music based on those tastes,вЂќ Jay observes. вЂњYou take these pop stations, theyвЂ™re reaching eighteen-to-thirty-four young white females.

On the first episode of his own radio show, вЂњBlonded,вЂќ a Beats 1 program that beams into the palm of anyone with an iPhone, he featured an excerpt of a conversation he had with Jay Z, who shared his disappointment in the mediumвЂ™s state.

Last year, in his first major interview supporting вЂњBlonde,вЂќ he told the Times, вЂњItвЂ™s not essential for me to have big radio records,вЂќ before admitting that he obsessively studies his streaming tallies. вЂњWhen I think of вЂsingle,вЂ™ I automatically picture putting something that IвЂ™ve put everything into on some conveyor belt,вЂќ he continued. In 2012, he described the radio as вЂњa conveyor belt with little soulвЂќ to me. Ocean has as complex a relationship with this system as he does with the other music-industry pillars that he pined over as a child: the charts, the labels, the Grammys. By contrast, OceanвЂ™s first offerings seemed designed for the fan to appreciate alone in silent awe, but not exactly to belt with friends in dingy bars. Traditionally, big artists release big songs in hopes of a big album radio plays and plays, stoking anticipation, and release dates are climactic as fans collectively dig down the singleвЂ™s rabbit hole.

PYRAMIDS FRANK OCEAN ALBUM COVER FREE

Similarly, his second album campaign began with вЂњNikes,вЂќ a crawling, chipmunked free verse over minimal trip-hop, which sounded just as intentionally out of step. An impressionistic prog-funk epic about an Egyptian queen and a stripper in a motel was not the sticky sing-along Ocean felt so capable of when early fans and critics flocked to his self-released mixtape. The trackвЂ™s initial arrival was not unlike its appearance at our karaoke session: unexpected, perplexing, and knowingly disruptive. вЂњPyramids,вЂќ the lead single to OceanвЂ™s вЂњChannel OrangeвЂќ album, from 2012, is over nine minutes long. Seriously, who performs Frank OceanвЂ™s вЂњPyramidsвЂќ at karaoke? After the first few taps of an icy note and a familiar vocal riff, the group heard where our new challenger was heading, and stared in disbelief. Just as the session had reached perfect pitch, however, it was thrown into a tailspin. Props were utilized a latecomer knee-slid into a performance, mid-song.

The courteous tried to entertain the mostly empty room, and muted competition grew between our cluster of regulars seated at the bar, a pair of young women in leather pants sitting in an alcove, and a few nondescript strangers at far tables. booth and a microphone, and song choice grew paramount.

On a frigid night last month, three groups of friends took turns knocking through twangy covers of the usual suspects: The-Dream, Bone Thugs-n-Harmony, the Cardigans.

Pyramids frank ocean album cover